It’s almost impossible to say what is the deviation in Russian behavior and what is the norm. It’s also difficult to separate pure Russian idiocy from Soviet idiocy, since the two have become entwined in an absurd mishmash.
For example — paranoia. Russian or Soviet? A friend of mine was thought to be retarded, and even had a certificate from a psychiatrist, because he wore red shirts and had long hair. On several occasions he was seized by his fellow citizens and led off to the police station as a spy. Another friend, a writer, used to walk around mumbling his thoughts into a Dictaphone. Passersby noticed and, thinking that he was transmitting secret information to an enemy radio receiver, called the police. But even though the Soviet regime has long vanished, you can still be arrested for photographing a railway junction, electricity pylons or factory gates. Spy mania and xenophobia are diseases that take a long time to cure.
Not so long ago, people lived under a totalitarian regime, in cramped conditions, without any rights, marking ballots with one candidate — and that wasn’t considered strange.
The great Russian psychologist Ivan Pavlov (of Pavlov’s dog’s fame) once conducted an experiment on some of his patients. He would switch on a red light and say “This is a green light.” The patient would eventually agree. “The Russian,” said Pavlov, “has such a weak psyche that he is unable to perceive reality objectively”. Pavlov’s theory is confirmed by Homo Sovieticus’ dependence on thoughts handed down to him from above.
To explain: before, people lived badly, but the media assured them that they lived well. They listened and believed. Then times changed. Suddenly the shops were full of goods that Soviet people had never seen. There were free elections, people were allowed to travel abroad and speak their minds without checking the floor lamps for bugs. But at the same time, the newspapers, freed from censorship, started to report strikes, alcoholism, and how bad life was. People began to weep, tear their hair and, if possible, flee abroad, repeating, “We can’t live like this” — just when it became possible to live normally.
So much for Soviet idiocy. As far as typically Russian weirdness is concerned, most is based on superstition. If you come to Russia you should under no circumstances shake hands across a threshold, or look at a baby if you have black eyes. If you are asked how things are going, you should spit over your shoulder three times before replying that things are fine. If you want to have a son, it is essential to wear a hat during the process of conception.
Folk medicine has also always been popular in Russia. Many people don’t believe in doctors at all and instead go to witches, fortune tellers and shamans who advise them that the cure for cancer is to drink kerosene or to spit at the moon, or to pee into a saucepan through a wedding ring. But the most typical Russian form of insanity is Russian hospitality. If you ever get invited to a Russian home, I advice you to make your peace with God before setting out. Your hosts will feed you with all their might, at the same time complaining that prices are high, wages are low and life is impossible. You can attempt to refuse, claiming that you’re on a diet, that you’ve given up drinking, that you suffer from obesity, the doctor has warned you that too much salt will be fatal, that you have gastritis, heartburn and blood pressure. Resistance is useless. Count yourself lucky to escape alive. And if you don’t, your hosts will be sincerely envious, since for a Russian there is no more desirable way to die than from sex or gluttony.
Reading this, you might conclude that the overwhelming mass of Russians are crazy. You would probably be right.
—
VOINOVICH, author of “The Extraordinary Life of Private Ivan Chonkin”, was one of the Soviet Union’s leading dissident writers. He left the Soviet Union in 1980, and now divides his time between Moscow and Munich.
1 cup cottage cheese, drained
1 can (234 g.) Del Monte Fresh Cut Crushed Pineapple, well-drained
3 stalks celery, chopped
1 small carrot, coarsely grated
1 tsp. chopped green onion
Beat cottage cheese until smooth. Stir in Del Monte Cut Crushed pineapple and remaining ingredients. Store in covered container and chill. Use as sandwich / bread filling.
Makes 7 servings.

The unique art-style grabbed me at first frame, which reminded me of Gankutsuou: Count of Monte Cristo's visuals. The stylized animation is reminiscent of the ukiyo-e style, which is quite apt as the series is set in feudal Japan. It also gives off a storybook vibe, which adds to the horror-tale atmosphere. My only gripe is there is too much visual information at times (read: print overload much?).
The series might not be everyone's cup of tea, but definitely recommended to fans of dark anime and those interested in Japanese mythology.
Caught my interest: the Medicine Seller's voice. <3ETA: He is voiced by Takahiro Sakurai (櫻井 孝宏). No wonder I was interested ^_^:
Many of his roles were handsome (and mostly charming) men. However, he has also voiced reluctant heroes (most notably as Cloud Strife) as well as the occasional villain (Maximilien Robespierre in Le Chevalier D'Eon). [Wikipedia]
Kudos to the Shinsen-Subs staff for including info tidbits at the end.

(I just had to say that. ^^")
The series starts off with a bang, in the midst of a samurai / mecha battle.
I planned to hold off watching this series until I get a copy of the original Kurosawa film. But I'm quite glad that I didn't, as it frees me (for the time being) from seeing Samurai 7 as a 'creative adaptation' or worse, 'bastardization' of the said classic.
Caught my interest: Tenkataiheimon Yoshichika. What a kick-ass samurai!

I see the beginnings of:
- a reverse harem setup -- come on, a lone lead female character stuck with a group of gorgeous bishies?
- a shoujo romance parody -- substitute the Ouran female population with squeeing fangirls and you'd probably never notice the difference. The visual cues frequently seen in shoujo manga -- shimmery / sparkly atmosphere, flamboyant flowers, romantic pose/expression -- are exaggerated to the point that they are ridiculous and funny. This is most apparent in Tamaki-kun. (Please don't tell him that. ^_^"X)
Random: For some odd reason, the art reminds me of the paper dolls I used to play with when I was a child. :)
Points of Intersection
--> "All hail poverty!"
Social class is a theme Samurai 7 and OHSHC have in common.
At first, I thought Samurai 7 was set in a feudalistic Japan, with greedy landlords oppressing poor peasant folk. It turns out, these are bandits out to steal the rice village's crops. In the series, the use of mecha (aka giant clunky robots) to depict the villains was an excellent touch, as it gives them an ominous feel and somehows leaves them quite stripped of humanity.
In Ouran, we see the huge lifestyle divide between the absurdly rich and the commoners. "Poor people use [instant coffee] since they can't grind coffee nuts with the little time they have." 0_o This would have irked me irl, but somehow, I was amused while watching it. Makes me wonder what other theories Ouran people have about commoners and the latter's way of living. ^^"
--> Mononoke and Samurai 7 are both derivative works -- the former a spin-off of Ayakashi (Japanese Classic Horror) and the latter adapted from the famous Kurosawa film. I haven't seen both, by the way.